By Doris RufOn May 16, 2018 Design
Who better than furniture designer Bob Williams to master the modern mix? In the living room of his home in Hickory, North Carolina, the cofounder of furniture manufacturer Mitchell Gold + Bob Williams pairs his new designs with vintage favorites from the mid-century. His eye for quality is revealed in his treasured old Lucite chair, Eames-style white leather armchair, and Frank Gehry cardboard chair, all of which mingle with his own clean-lined designs. Traditional toile draperies from Duralee and ice-blue walls set off the elegant mix.
Dove gray and attention to detail create serene sophistication in the living room of this Connecticut home overlooking Long Island Sound. “I did not want a beachy home so we went with dark floors and classic details,” says the owner, architectural designer Louise Brooks. Farrow & Ball’s “Skimming Stone” is painted on the walls, while the wood comes clean in the venerable paint company “All White.” Silver-gray cocktail and side tables pick up the thread of color from the room’s gray-and-white striped Elizabeth Eakins rug, while the furniture remains calm in white upholstery fabrics. Even the accessories on the fireplace wall shelves are pared down for importance. Most notable is the pair of antique lanterns on the middle shelves.
A surfeit of square footage thankfully is not essential to an elegant design, as this cozy living room in the Atlanta home of designer Lori Tippins proves. In fact, the human scale of the space contributes to its elegance, for design is as much about how a space lives as it is about how it looks. Here beauty begins with the bones of the room. Pairs of French doors flank a small antique marble fireplace for a full flow of natural light, symmetrical balance, and pleasing proportions. The trumeau above the fireplace is a major player in getting the right proportions, drawing the eye all the way up to the same height as the curtain rods. (It’s also gorgeous!) These, too, are placed high on the walls, nearly a foot above the doors to skim just beneath the extra-thick crown moldings. Decorative elements are few but fine. The pair of floor lamps, for instance, were converted from gilded iron candlesticks. The vertical border on the draperies introduces color and pattern in an exquisitely subtle fashion.
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